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My name is Kiri Østergaard Leonard. I am a freelance illustrator and artist from Denmark, who is currently residing in New York City with my wonderful husband Alexander Leonard.
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Some recent sketches with character studies and ideas for some Planescape: Torment fanart. 

The last half of my Trollkin 2013 calendar. A personal project I put together to sharpen my illustration skills, I really enjoyed working on it. 

You can find the first half here: http://wickedfairytale.tumblr.com/post/52411075115/the-first-half-of-my-trollkin-2013-calendar-a

The first half of my Trollkin 2013 calendar. A personal project I put together to sharpen my illustration skills, I really enjoyed working on it. 

A glimpse into my studio. Minnie also known as Little Kitty is guarding my coffee cup while I paw through Disney’s “Art of Tangled” art book. One of the best art books I have seen.

The Norse Goddess Freyja stepping out of her bird skin after flight. Pencil and white colored pencil on Carson’s Pastel Paper, 12” x 16”. Original for sale, send message for details.

Details here: http://www.behance.net/gallery/Freyja-Norse-Goddess/8578823

You should keep on painting no matter how difficult it is, because this is all part of experience, and the more experience you have, the better it is.. unless it kills you, and then you know you have gone too far.
Alice Neel

Sketch idea for the ArtOrder’s new challenge: http://wp.me/p15hjj-1M8


The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you’re sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that’s almost never the case.
Chuck Close  (via r1ie)

How my Peter Pan piece came to be. There are a lot of decisions being made along the way.

Although I only show one version of Tinkerbell in here I actually drew her in in 5 different ways before deciding the scene was better without her.

Peter Pan sulks in the nursery as he cannot find his shadow.

Working on some concept sketches for a book project.

mocca 2013 550x453 5 things I learned at MoCCa Arts Festival

Last year I attended New York Comic Con as my very first convention. Afterwards I wrote a blog post on lessons I learned as an exhibiting artist during the convention. You can find said post here: 10 things I learned at NYCC. A few weekends ago I had the sudden chance to attend the Society of Illustrator’s MoCCa Arts Festival in New York City. The table-mate of a cartoonist named Bill Roundy cancelled the night before so I was invited to take his spot. Normally I would spend a few weeks preparing for my convention setup but that wasn’t an option this time, for good reason.

I have chosen to write this blog post as a continuation of the lessons I learned at NYCC in hope that it may be of some help to other new conventions goers who are looking for some advice. If you are a new artist about to attend your first convention, please read the post on lessons from NYCC first.

IMG 7819 502x600 5 things I learned at MoCCa Arts Festival

The table I shared with cartoonist Bill Roundy.

Lesson #1: Visual vomit – Don’t clutter your table!

When preparing your convention table you want a nice clean presentation that makes your work stand out, whatever it be. Too many items on display and your work will be competing with itself and the visual confusion can be a huge turn off for your potential customers, so keep a nice clean setup. The photo of my table above is actually an example of how NOT to do it. Granted I only had an evening to prepare, so I forgive myself for the clutter.

For comparison here’s a photo of Tim Paul’s MoCCa table – and this is a good way to do your table! Get a good display rack (or make one) to present your work in a nice and neat manner:

IMG 7823 500x600 5 things I learned at MoCCa Arts Festival

Tim Paul at his MoCCa table.

Lesson #2: Stories sell!

This probably doesn’t surprise anyone. Stories sell, human beings LOVE stories. We move movies, comics, books and cartoons for this very reason, so when it comes to your artwork; consider the story. There are several ways to go about this, one is to simply consider the story in the image: Does it tell a clear story or is it just “something pretty”. If there’s a story behind the illustration engage your potential customer in it, they’ll find the artwork all the more interesting.

You can also take it a step further and consider how can you tie your illustration in with stories – consider selling $5 booklets where you have illustrated a simple story. (Be careful of copyright here) – in my case I like drawing fairy tales and I quickly realized at MoCCa I would have garnered a lot more interest had I had booklets with my fairy tale illustrations combined with the story they are from and fairy tales aren’t copyrighted – so there you go. Worth considering. […]

Please read the full article here: http://wicked-fairytale.com/5-learned-mocca-arts-festival/

A little portrait painting practice for the night.

Some Instagram snapshots from my most recent sketch studies.

This post is one of a four part series:

How to contact Art Directors: Part I – Marc Scheff
How to contact Art Directors: Part II – Jon Schindehette
How to contact Art Directors: Part III – Lauren Panepinto
How to contact Art Directors: Part IV – Mike Linnemann

Again summarizing from previous posts: This is a blog series to help art students as well as new artists familiarize themselves with the best ways to go about contacting art directors, when starting out as an illustrator. The goal is not to be a nuisance and make a good impression.

In order to give you a well rounded perspective I asked a handful of art directors to answer 10 questions on the topic. First was Marc Scheff from Tree House Brand Stores and second up was Wizards of the Coast Art Director Jon Schindehette , next we had Lauren Panepinto from Orbit Books and to wrap it all up, here is an interview with Mike Linnemann, who is a former Art Director from Fantasy Flight Games.

1. What is your preferred method of communication if a new artist is looking to make contact and why? (ie. Postcards/email/phone/facebook/meeting in person)
Email is best. It is the fastest and most easily recorded. It’s a lot harder to forward a Facebook message/tweet to a fellow art director, no?

2. Social media is becoming increasingly popular amongst artists as a tool for networking, how do you feel about artists befriending you on Facebook? Is there a right and a wrong way to go about it?

There is no “right” way, but there’s definitely a wrong way. Creating a fan page or just using the personal page doesn’t matter. In the end, if you don’t have an external portfolio link-self website or DeviantArt etc, you won’t be added to the list. […]

Please read the rest of the article here:  
http://wicked-fairytale.com/enhow-contact-art-directors-part-iiii-mike-linnemann/